Archive for Erik DeLuca

GFX + Caustic Castle @ Charlottesville Experimental Music Showcase, Pt II

Grapefruit Experiment did a two-part improvisational set with our friends (colleagues of HzCollective) at the Charlottesville Experimental Music Showcase at The Bridge PAI on 3/19/10. This performance is the part II of an ongoing series organized by Jacob Wolf of Holy Smokes and co-presented by HzCollective.

This time, we first played with Kenneth Yates (AKA Caustic Castle) developing on a concept emerged from our FFMUP performance at Princeton. Then Erik DeLuca joined us for a quartet. Everyone seemed thrilled by the harsh-noise-electronics and no-wave-inspired thrashy guitar and drums. The color shifts in the background came from the a live video projection by Ultra Aesthetics Committee.

Video by David Eklund

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Playing Snow and Ending Things in Snowpocalypse

When the Snowpocalypse hit central Virginia, our plans for an 8-piece improv ensemble representing the HzCollective fell through at the Center of the Study of the End of Things‘ Symposium Opening. The storm left no drivable conditions for our HzCollective mates – including Kenny Yates, Jennida Chase and Hassan Pitts of Pilotone – to join us for the performance from Richmond. Grapefruit Experiment and our friend Erik DeLuca decided to go ahead with the gig as a trio. To echo the apocalyptic theme of the “the end of things,” we carried minimal gear in our backpacks and trekked in the snow maxing out our creative and physical ends.

Carey sounded her ever-sustained bells that she bought in China. I played amplified snow using Erik’s hydrophone while playing back samples of snow collected on our walk to the space. Erik played back and processed sounds of snow and vibes that he recorded throughout the day. We played a 28-minute improvised set. Then our set was joined by an impromptu reading (of his elegy to Lydia Gasman) by Steven Margulies.

After a short break, we went into a second set starting with Carey’s bells, live and captured on Erik’s tape recorder. Erik and I then joined Carey with electronic sounds. I used a bit reduction pedal to noisify the sound of snow-crushing. Erik played back and manipulated sounds of Carey’s bells. Then the projected sound started to cut in and out sweeping in as low-frequencies, as Erik gestured the smell of something burning. Thus we ENDED our set. Not only that, we put an END to the speaker, a decrepit JBL dust-collector donated by UVa’s VCCM [Virginia Center for Computer Music].

Organizer Wes Milholen said that they will honor the end of the speaker by shining a spotlight on it. Maybe they will even suspend it mid air.


The End.

Playing bikes, plants, dirt, water, and combs with Erik DeLuca

Grapefruit Experiment did a two-part improvisational set with our friend Erik DeLuca at the Charlottesville Experimental Music Showcase at The Bridge PAI on 12/16/09. The first part features Wendy and Carey on amplified bikes; the second part features Carey on an amplified cactus, Wendy on mic’ed pine cones and combs, and Erik on an amplified small leafy, easy-to-care-for plant with some dirt and water.

Video by David Eklund.